Monday, 2 May 2016

Foundation Portfolio Storyboard 1 by Brooke van de Water





Foundation Portfolio Shooting Schedule 1 by Alexis Phillips-Ogle

Shooting Schedule
Date: TBC


Done
Date/
Time
Scene/
Shots
Shot description/
summary
Location
Special Req and Equip.

4:20 - 5:00

Set up - 2 cameras at the top with the car
Lights down the driveway at the shed



5:00 - 5:10

Go over script and schedule



5:10 - 5:35
1 - 3
Front on shot of Olivia and Adonis in car while arguing
Side shot of Adonis
Front on close up on Olivia
Inside car at the top of driveway


5:35 - 5:45
4, 5
Wide shot from behind the car - Olivia runs around the car and toward the right side of the camera
Adonis steps out
Side profile of Adonis calling out to Olivia
Top of driveway outside car


5:45 - 6:00
6, 7
Camera tracks Olivia running down the driveway
Still as she looks between the two possible paths
P.O.V shot and side shot
Down driveway
Steadicam shoulder thingy

5:55 - 6:10
Break, Relocation of equipment



6:10 - 6:20
8, 9
Tracking shot of Olivia climbing over the fence and running to the shed
Side shot of Olivia climbing over the fence from East (Shed to the left)
Front of shed


6:20 - 6:25
13
Pan of bush opposite shed also broken down car
Behind Shed


6:25 - 6:45
10, 14
On tripod, longshot of Olivia trying to get into the shed
Long shot pan of Olivia running away
Behind Shed


6:45 - 6:55
11, 12
Side shot of Olivia at the shed door
High angle shot of Olivia at the door
Behind shed


6:50 - 7:00
Move Camera 1 to new location on the hill
Hill


6:55 - 7:00
15
Close up on the mirror of the abandoned car, Adonis reflection angry face
Behind shed


7:00 - 7:30
16,  
18 - 21
Long shot of Olivia running through gate and up hill toward forest
Close up on Olivia’s feet as she runs
Close up on Adonis feet as he walks
Hill


7:30 - 7:35
17
Close up of Olivia, heavy breathing noises
Hill


7:35 - 7:55
Break / Snacks / Relocation - Lights & Cam


7:55 - 8:10
22, 23
Long shot of Olivia running through the forest, panning
Midshot of Olivia slowing down in the forest, taking breaths before walking
Hill/Field/Forest


8:10 - 8:20
24, 25
P.O.V of Adonis looking through the forest
Close up on his feet walking through the forest
Forest


8:20 - 8:25
26
Side mid close up of Olivia against the tree
Forest


8:25 - 8:30
27/ 28
P.O.V camera rushing toward the back of Olivia behind the tree
Front close up of her lips and his hand around her neck
Forest


8:30 - 9:00
Pack down



Foundation Portfolio version 1 by Brooke van de Water

Concept:


Plot Synopsis:
Olivia and Azrael are arguing in the car about their relationship issues and how Azrael is treating Olivia. Azrael starts to raise his voice, and Olivia gets frightened- retaliating by yelling and leaving the car in a hurry. She runs down the driveway, looking for a place to hide as Azrael threatened that “it is not over.” Olivia becomes more and more hurried in trying to escape, that when the symbolic “twig snap” is heard, she becomes more and more afraid for her life. Olivia then runs up into the forest, into the darkness, and Azrael finds her and attacks her.


Characters and Names:


Boyfriend: Azrael
Meaning: Angel of Death
Costume: black and red- represent danger, death, war

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Screen Shot 2016-04-30 at 10.29.42 AM.pngScreen Shot 2016-04-30 at 10.32.33 AM.png

Screen Shot 2016-04-30 at 10.30.29 AM.png


Girlfriend: Olivia
Meaning: Peace (olive)
(nickname “Liv” means “life”)
Costume: pale pink and white attire- represent purity, vulnerability
Screen Shot 2016-04-30 at 10.11.53 AM.png
Screen Shot 2016-04-30 at 10.18.32 AM.png

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The contrast in the costumes of “life and death” have a large symbolic influence on this film as it clearly shows the difference between Olivia and Azrael and the way in  which Azrael thinks himself to be more dominant and superior over olivia. The theme Alexis and I chose was “relationships” and the connotations of those such as male dominance and female submission, and created a film that represents this in a dramatic and near deadly way.


Shot Sequence:


Opening shot: argument in car about relationship
Running down driveway (looks both ways at end)
Looking around shed for way in
Looks at mirror
Title
Twig snap
Moves to run
Shadow stays on the wall
He comes onto the screen
She runs into forest
Feet cutting
She hides
Breathing close up
Twig snap
Rushed shot of him attacking her from behind
Grabs her neck

Shot cuts

Wednesday, 30 March 2016

Planning for Atychiphobia by Alexis Phillips-Ogle

Atychiphobia (The Fear of Failure)

The concept of our film was to have a girl being put into the spotlight but being encompassed by fear. A fear of failure that will eventually relate to her ultimate downfall as she is captured by her own fear of not succeeding. The title of our film was chosen by my team mate, Brooke. She researched different phobias to find one that would best fit into the idea of our film.

For this project, I wrote up the concept of the film and the conventions that we were aiming to include. 

Conventions:

Character: Main character will be a nervous girl, constantly displaying a miserable attitude, dancer/or singer, dressed in dark clothing - but not black navy? self doubt and conflict within her to know if she is good enough or not

Villain that lurks in the shadows - Face will be hardly seen, kept hidden til final shots

Close up shots: Can create anxiety and confrontation. Show detail. Example: Sweat on the girls face, body movement

Eerie and suspenseful atmosphere brought by both non diegetic and diegetic sound. Diegetic sound will be most important because it will let the audience hear what the actors hear - examples: heavy breathing of villain behind the scenes and dancer, music that goes with dance - Non-diegetic sound - crash - at the end of sequence before title flashes across the screen to show that something significant to the film has begun

Mirror - Girl stares into the mirror and it reflects how she feels inside and who she really is

Cliffhanger - Person in the mirror is girl herself who later becomes important to the film's plot

Non diegetic music - Light, eerie sound that creates a ballet like sound, string instruments, slow paced

I came up with the plot/storyline of our film and both Brooke and I refined the ideas to create what we believed would be a thrilling film. 

Sasha Peters is an aspiring dancer but she seems to be consumed with fear. While onstage, she is an emacculate dancer who has the ability to mask all her fear with dance. Sasha is auditioning for a place at a prestigious dance school overseas. But her fear of failure becomes her worst enemy.

The opening will begin with a sequence of different scenes that will later be important in the film - The sanctuary (stage and audience)  backstage, bathroom, pathway - high angles, low angles, panning
Main Character - Sasha 1 - walking toward the sanctuary where her sanctuary will be - long shot, no camera movement
She’ll be on the phone, close up when she says “But what if I fail?”
Cuts to black screen where the title will be presented
When the title fades, we cut to a mid shot of Sasha 1 behind a curtain
Close ups on certain features of her - sweaty hands, face again
Voice heard in background “Sasha Peters? Sasha?”
Camera tracks her feet as she walks on stage
Camera Pans from in front of stage watching as she walks to the centre
Spotlights are placed directly on her and the judges are submersed in darkness
Camera shows Sasha 1’s point of view as she stands on stage looking out to the empty stadium - heavy breathing heard (diegetic)
P.O.V of Sasha 2 backstage as S1 introduces herself
camera pans around curtain and we see S2 backstage
Low angle shot of S1 dancing - Lights and music cuts off and everything goes black
Lights in bathroom flicker on/off - effects edited over the top
Shot 1 - Side on
Shot 2 - Over the shoulder into the mirror as she looks up and sees her own face then fades to black
Bathroom scene mirror girl with jumper looks up and sees herself
cuts off --- credits

Originally, that is how we imagined the sequence to go but changes happened during the planning process and some of this got changed.

My team mate, Brooke van de Water, drew the storyboard and we both took part in piecing it together. 

I wrote the script while Brooke was in charge of the shot list.